Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists
Identifieur interne : 000873 ( Main/Exploration ); précédent : 000872; suivant : 000874Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists
Auteurs : Roger SavageSource :
- Music and Letters [ 0027-4224 ] ; 2002-08.
English descriptors
- Teeft :
- Agon, Alain frogley, Ancient greek agon, Angus fraser, Aristophanes, Aristophanes book, Arnold country, Attic comedy, Augustus john, Ballad opera, Ballad seller, Ballets russes, Biblical texts, Bomber gipsy, Borrovian opera, British academy, British library, Buchan, Bunyan, Byron adams, Cambridge ritualists, Cecil, Conan doyle, Cornford, Corot, Cotswold, Couleur locale, Cousin ralph, Delectable, Delectable mountains, Double bill, Dover beach, Draft scenario, Drover, Dusty highway, Edward dent, Edwardian, Elegy, Ella leather, Emily jourdain, Encyclopaedia britannica, English composer, English folk, English literature, English mummers, English opera, Eniautos daimon, Ernest farrar, Fanciful character, Farrar, Final exhortation, First friends, First glance, First letter, First world, Folk drama, Folk songs, Frances crofts, Francis cornford, Francis hindes groome, Francis macdonald cornford, Free life, Fresh morning journey, George butterworth, Gilbert murray, Gipsy, Gipsy tents, Glorious john, Golden bough, Gordon craig, Gorgio, Gracious light, Grand narrative, Greek religion, Greek tragedy, Green lane, Groome, Gypsophile, Gypsy, Gypsy fiddler, Gypsy hero, Gypsy life, Gypsy lore society, Gypsy stranger, Gypsy traveller, Harold child, Harrison, Heath, Heroine mary, Hugh, Hugh cobbe, Human music, Incidental music, Italics mine, Ivor gurney, Jane ellen harrison, Jane harrison, John buchan, John murray, Kenneth grahame, King cole, King george, Last movement, Lavengro, Lavengro opera, Libretto, Little book, Little cart, Little town, London symphony, Magic casements, Many ways, Marion scott, Matthew arnold, Matthew poem, Mediaeval stage, Michael kennedy, Minor characters, Modern memory, Morris book, Much vaughan williams, Mummer, Mumming, Music letters, Music theatre, Nash, National music, Natural magic, Next opera, Nineteenth century, Northern england, Olympic games, Open road, Opera libretto, Operatic project, Operatic stage, Orchestral support, Other essays, Oxford elegy, Passage rite, Pastoral elegy, Paul nash, Percy scholes, Poetic drama, Prize bout, Prize fight, Pure blood, Ralph vaughan williams, Recalcitrant source text, Ritual drama, Ritual school, Ritual story, Ritualist, Road song, Robert louis stevenson, Romany, Romany ryes, Rommany stone, Rugby chapel, Rutland boughton, Same letter, Same time, Samuel barber, Scenario, Scholar gipsy, Scholar gypsy project, Scholes, Several times, Shakespeare revival, Sinfonia antartica, Social origins, Special introduction, Stephen banfield, Such things, Suspicious people, Sword dances, Tenth edition, Thyrsis, Traditional mummers, Tuesday morning, Twentieth century, Unconquerable hope, Unknown region, Vaughan, Vaughan life, Vaughan williams, Vaughan williams studies, Vaughan work, Victorian poetry, Village champion, Village hero, Vimy ridge, Vocal score, Walter scott, Wasp, Welsh ponies, Wenlock edge, Whole opera, Wild brotherhood, Williams, Windy wolds, Yellow rock, Zincali.
Abstract
Three pre‐First World War operatic projects are examined, all of them linked with the period's cult of the Gypsy traveller: projects inspired by Matthew Arnold's poem ‘The Scholar‐Gipsy’, a passage in the introduction to George Borrow's Gypsy study The Zincali, and Borrow's novel Lavengro. None of the projects materialized quite as first conceived, but poem and novel make their presences felt in Vaughan Williams's later work, while the development of the Zincali idea en route to becoming his opera Hugh the Drover may well have been influenced by the thinking of a controversial group of classicist‐anthropologists, the ‘Cambridge Ritualists’, of whom one, Francis Cornford, was a relation of the composer's.
Url:
DOI: 10.1093/ml/83.3.383
Affiliations:
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Le document en format XML
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<term>Gilbert murray</term>
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<term>Glorious john</term>
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<term>Heroine mary</term>
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<term>Italics mine</term>
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<front><div type="abstract" xml:lang="en">Three pre‐First World War operatic projects are examined, all of them linked with the period's cult of the Gypsy traveller: projects inspired by Matthew Arnold's poem ‘The Scholar‐Gipsy’, a passage in the introduction to George Borrow's Gypsy study The Zincali, and Borrow's novel Lavengro. None of the projects materialized quite as first conceived, but poem and novel make their presences felt in Vaughan Williams's later work, while the development of the Zincali idea en route to becoming his opera Hugh the Drover may well have been influenced by the thinking of a controversial group of classicist‐anthropologists, the ‘Cambridge Ritualists’, of whom one, Francis Cornford, was a relation of the composer's.</div>
</front>
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